Ceramic Review
Archivado desde
February 1970
Archivo Completo
341 issues
An invaluable resource for potters, ceramicists, ceramic artists, collectors, enthusiasts and students, Ceramic Review has been inspiring ceramics communities since 1970.
Combining authoritative writing with top-quality photography, the bi-monthly magazine contains a range of features on historic and contemporary practice, as well as valued technical information, masterclasses, auction coverage for collectors, exclusive interviews and signposts to key events and exhibitions.
If you are passionate about ceramics, pottery, art and design, Ceramic Review will provide you with a window into the diverse workings of potters, ceramic artists, collectors and galleries from across the world.
Último número:
Traditional, satirical and experimentational, CR341 features profiles of Lee Kang-hyo, Barnaby Barford and Charly Blackburn.
Ömer Öner showcases his contemporary teapots in 'Potters on pots', while 'One to watch' Olga Siruk tells us more about her work which won the Newcomer Award at CAL 2026.
For technical insights, Alison Coaten reveals the 'Potter’s secrets' behind her figurative pieces, Clare Palmer leads a masterclass on constructing porcelain and stoneware wall pieces directly onto the kiln shelves, and Landis Carey experiments with commercial glazes.
Sara Howard talks about the construction site materials available to artists, while Paul Greenhalgh considers the political potential of ceramics.
Plus, we preview a new exhibition celebrating Lucie Rie and Hans Coper, and explore the social commentary in Richard Slee's work.
Ömer Öner showcases his contemporary teapots in 'Potters on pots', while 'One to watch' Olga Siruk tells us more about her work which won the Newcomer Award at CAL 2026.
For technical insights, Alison Coaten reveals the 'Potter’s secrets' behind her figurative pieces, Clare Palmer leads a masterclass on constructing porcelain and stoneware wall pieces directly onto the kiln shelves, and Landis Carey experiments with commercial glazes.
Sara Howard talks about the construction site materials available to artists, while Paul Greenhalgh considers the political potential of ceramics.
Plus, we preview a new exhibition celebrating Lucie Rie and Hans Coper, and explore the social commentary in Richard Slee's work.
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