ArtReview & ArtReview Asia
Archivé depuis
July 2006
L’archive moderne
219 issues
ArtReview is one of the world’s leading international contemporary art magazines. Founded in 1949, it is dedicated to expanding contemporary art’s audience and reach. Published nine times a year, the magazine features a mixture of criticism, reviews, previews, opinion, reportage and specially commissioned artworks, and offers one of the most established, in-depth and intimate portraits of international contemporary art in all its shapes and forms. In 2013 ArtReview was joined by its sister magazine ArtReview Asia, now published four times a year, which brings a fresh and exciting new voice to the dynamic and fast-changing art scenes of the Asia region, as well as covering Asian art presented outside of the region.
The ArtReview archive consists of all issues going back to 2006, when the title was relaunched in its present form, as well as all issues of ArtReview Asia from its first issue in 2013. Together, the two titles provide an invaluable resource for those interested in the current era of contemporary art; the ArtReview archive is an indispensable reference for all art students, art historians and other humanities researchers, as well as offering an independent and first-hand research tool for professionals working in galleries, museums and institutions.
Dernier numéro:
In the Summer issue of ArtReview Asia, Indian artist Shilpa Gupta’s 2006 work There is No Border Here has been adapted across eight editions of the magazine’s cover, introducing a feature by Mark Rappolt that focuses on the ways in which Gupta’s oeuvre frames resistance to division, categorisation, segregation and other forms of state violence; Hilaria Maria Sala, digesting research into Sri Lanka’s national flower, unpacks how a waterlily came to be so freighted with meaning; Jamie Sutcliffe looks at what became of Masamune Shirow, ‘one of the most influential artists you don’t know’; and Max Crosbie-Jones marvels at an ambitious attempt to restore the comprehensively destroyed life work of Indonesian filmmaker Bachtiar Siagian. Also in the Summer issue: a 1926 lecture by Rabindranath Tagore, annotated by ArtReview Asia; an interview with Shimabuku; how to say goodbye to China’s zombie museums; and why an emotionally resonant visual tradition is essential to the success of a political movement. Plus exhibition and book reviews, and who gets to define ‘liminal’.
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