SOURCE
Archivé depuis
Summer 1992
Archive complète
117 issues
SOURCE is the essential magazine for intelligent and independent discussion of contemporary photography. Each issue brings you the latest news, portfolios by emerging and established photographers, well researched feature articles, reviews of the most important exhibitions and books, and specialist columns offering deep analysis on various photography related subjects.
Published since 1992, Source is a quality quarterly magazine that provides readers with a critical discussion of photographic practice and an appreciation of the importance of photography in the wider culture. Your subscription will include access to over a dozen back issues of the magazine.
Photographers recently featured in Source include: Victor Burgin, Hannah Collins, Thomas Joshua Cooper, Sarah Dobai, Richard Gilligan, Emma Hart, Anthony Haughey, John Hilliard, Karen Knorr, Sirkka-Liisa Knottinen, Hew Locke, Mari Mahr, Trish Morrissey, Suzanne Mooney, Wendy McMurdo, Mark Neville, Roger Palmer, Steven Pippin, Paul Seawright, Simon Starling, John Stezaker, Jane and Louise Wilson and Donovan Wylie.
Our regular contributors include leading writers on contemporary photography such as David Campany, David Bate, David Brittain, Pavel Buchler, Stephen Bull, Justin Carville, Mark Durden, David Evans, Colin Graham, Alison Green, Roger Hargreaves, Rebecca Hopkinson, Daniel Jewesbury, Martha Langford, Anthony Luvera, Mary Warner Marien, Alicia Miller, Matt Packer, Eugenie Shinkle, Lucy Soutter, Ian Walker, Edward Welch and Judith Williamson.
Dernier numéro:
Which Ireland?
We have asked writers, curators and photographers how Ireland should be photographed. Historian Erika Hanna wants to see images of happiness. Colin Graham is looking for a clear eyed way to photograph contemporary politics. Novelist Wendy Erskine wants to see many different things, including scaffolding, chefs on their break, uncanny landscapes and people listening. These, and the many other suggestions made, show the continuing eagerness to discover photographic ways to represent the contemporary world around us.
PORTFOLIOS: In Summertime Pablo Marín García photographs Dublin in unfamiliar bright daylight. In Uncommon Sights Michael Croghan photographs neighbours and passers by in County Longford. Joe Laverty’s Semblance was made over a series of winters in Mid Ulster an shows the industrialised landscape of rural factory farms. All three portfolios suggest a new Ireland coming into being.
REVIEWS: Exhibitions of work by Rinko Kawauchi alongside group shows on 80s Britain, the Radical Landscape of Dartmoor and Perspectives on the Body (Skin / Deep) Book reviews including Alec Soth, Iain Sinclair, New Queer Histories, Gregory Halpern, Doing Theology with Photographs, Penny Slinger and much more...
We have asked writers, curators and photographers how Ireland should be photographed. Historian Erika Hanna wants to see images of happiness. Colin Graham is looking for a clear eyed way to photograph contemporary politics. Novelist Wendy Erskine wants to see many different things, including scaffolding, chefs on their break, uncanny landscapes and people listening. These, and the many other suggestions made, show the continuing eagerness to discover photographic ways to represent the contemporary world around us.
PORTFOLIOS: In Summertime Pablo Marín García photographs Dublin in unfamiliar bright daylight. In Uncommon Sights Michael Croghan photographs neighbours and passers by in County Longford. Joe Laverty’s Semblance was made over a series of winters in Mid Ulster an shows the industrialised landscape of rural factory farms. All three portfolios suggest a new Ireland coming into being.
REVIEWS: Exhibitions of work by Rinko Kawauchi alongside group shows on 80s Britain, the Radical Landscape of Dartmoor and Perspectives on the Body (Skin / Deep) Book reviews including Alec Soth, Iain Sinclair, New Queer Histories, Gregory Halpern, Doing Theology with Photographs, Penny Slinger and much more...
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