Spike Art Magazine

Art & Design Collection

Archivé depuis #1 October 2004

Archive complète

85 issues

Spike is a magazine for art and cultural criticism, mixing writing on themes urgent and forever unresolved, from “Web3” and “Vulnerability” to “Plants” and “Patriarchy.” Spike is visually splashy, by turns pushy, poetic, unexpected – and not shy to start an argument. Featuring literary luminaries like Nicolas Bourriaud, Jamieson Webster, Dean Kissick, McKenzie Wark, Joanna Walsh, and Jeppe Ugelvig, Spike has enjoyed a profound impact on art and its discourse in Europe and North America for two decades and counting. Founded in 2004 and still published by the artist Rita Vitorelli, Spike is one of the last remaining independent art magazines.

A digital subscription gives you access to the complete online archive of Spike Art Magazine since issue one, Autumn 2004 – that's 21 years, and 15.000 pages.

Dernier numéro:

Spike #86 is turning to the wild season of youth – life’s Salad Days.

Forget all the Boomer panic about a generational crisis; the kids are alright, living out our hyperconnected present to its strangest limits. New kinds of aesthetics, of activism, of entrepreneurship; new images as much as new perspectives on what images are; and, above all, a new, very quantum attitude towards fact and fiction, history and the future: young people are modeling how to be in our very confused times – and producing some of the most interesting forms of culture we’ve ever seen.

Featuring a Zoomer’s guide to the Slopgeneration; an essay of on being young at art in the Instagram age; a rundown of how the art world does and undoes dynasty; reality checks on culture’s obsessions with youth and dying young; portraits of couture-sculptor Tenant of Culture, Turner Prize-nominated photographer Rene Matić, e-waste sculptor Brian Oakes, and Austrian painter Lukas Posch; send-ups of teenage fiction’s ecstatic weirdness and youth-quakers’ political promise; a critique from Silicon Valley of the industrialization of young risk-taking; art’s perfect Los Angeles metaphor; and a splash of back-page advice: “You shouldn’t be fun at twenty-one. You should be tortured.

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