TEMPO: The Quarterly Review of New Music
TEMPO: The Quarterly Review of New Music provides unparalleled coverage of global contemporary music, featuring peer-reviewed articles, composer portraits, and reviews of premieres, recordings, and books. The journal’s online archive through Exact Editions offers seamless access to over eight decades of research and critical commentary — an essential resource for teaching, study, and performance. Enjoy the open access content available from the magazines archive.
A Field Guide To Sonic Botany: Thoughts About Eco-Composition - Maayan Tsadka
Tempo: A Quarterly Review of New Music, No. 295 - January 2021
Huddersfield Contemporary Music Festival 2020 - Neil Thomas Smith
Tempo: A Quarterly Review of New Music, No. 296 - April 2021
The Strong Silent Type: Masculinity And Wandelweiser Music - Ed Cooper
Tempo: A Quarterly Review of New Music, No. 296 - April 2021
Timbre-Based Composition, Multiple Perspectives And Ambiguity In Rebecca Saunders’ Compositional Style - Omri Abram
Tempo: A Quarterly Review of New Music, No. 297 - July 2021
Adès And Sonata Forms - Edward Venn
Tempo: A Quarterly Review of New Music, No. 298 - October 2021
Thomas Adès At Fifty: Representations On The Stage And On The Page - Edward Venn
Tempo: A Quarterly Review of New Music, No. 298 - October 2021
Joan La Barbara In West Berlin, 1979 - Joy Calico
Tempo: A Quarterly Review of New Music, No. 301 - July 2022
Teaching Composition In A Flipped Classroom - Martin Iddon
Tempo: A Quarterly Review of New Music, No. 302 - October 2022
Who Are We Teaching And Why Are We Teaching Them? Thoughts On Musical Diversity In University Composition Teaching - John Godfrey
Tempo: A Quarterly Review of New Music, No. 302 - October 2022
Two Hats Or One: The Co-Dependent Worlds Of Jonathan Harvey's Church And Concert Music - Ed Hughes
Tempo: A Quarterly Review of New Music, No. 303 - January 2023
Performing Australian Electroacoustic Works For The Paetzold Contrabass Recorder - Alana Blackburn
Tempo: A Quarterly Review of New Music, No. 304 - April 2023
Where Are We Going? And What Have We Done? - Aaron Moorehouse
Tempo: A Quarterly Review of New Music, No. 305 - July 2023
Putting Ego Aside In New Opera: On The Co-Creative Dynamics Around Je Suis Narcissiste - Jose Besada
Tempo: A Quarterly Review of New Music, No. 306 - October 2023
Relative Intonation: Non-Symmetrical Implications Of Linear And Logarithmic Intervallic Measurement - Ryan Pratt
Tempo: A Quarterly Review of New Music, No. 306 - October 2023
Conceptual Music: New Media And Frontiers In Maryanne Amacher’s City-Links Series - Liam Dougherty
Tempo: A Quarterly Review of New Music, No. 307 - January 2024
Identity Through Difference In Beat Furrer’s Lotófagos - Ed Cooper
Tempo: A Quarterly Review of New Music, No. 307 - January 2024
New Liminalities: Beat Furrer At 70 - Ed Cooper
Tempo: A Quarterly Review of New Music, No. 307 - January 2024
Snow, Repetition, And Oblivion: Ecological Dimensions In Beat Furrer's Recent Work - Christine Dysers
Tempo: A Quarterly Review of New Music, No. 307 - January 2024
Helmut Lachenmann’s Salut Für Caudwell (1977) Today: Between Structure And Assemblage, Between Interpretation And Experimentation - Diego Magas
Tempo: A Quarterly Review of New Music, No. 308 - April 2024
It's Not About You: Do We Still Need An 'Artistic Voice'? - Matthew Shlomowitz
Tempo: A Quarterly Review of New Music, No. 308 - April 2024
Reflections On Cyborg Collaborations: Cross-Disciplinary Collaborative Practice In Technologically-Focused Contemporary Music - Zubin Kanga
Tempo: A Quarterly Review of New Music, No. 308 - April 2024
Rehearsing Time - Lea Sikau
Tempo: A Quarterly Review of New Music, No. 308 - April 2024
Getting Out Of The Labyrinth: Gerald Barry’s Wiener Blut And The Path To Petra Von Kant - Mark Fitzgerald
Tempo: A Quarterly Review of New Music, No. 309 - July 2024
Habitus, Resistance And The Production Of Musical Meaning - Niamh Dell
Tempo: A Quarterly Review of New Music, No. 309 - July 2024
I Am A Textural Composer - Jane Stanley
Tempo: A Quarterly Review of New Music, No. 309 - July 2024
Proportion And Symmetry As Mutual Antagonists In Tuning: Some Quartertone Resources - Joe Bates
Tempo: A Quarterly Review of New Music, No. 309 - July 2024
Thinking Aloud: The Soliloquy Cycle - Thomas Simaku
Tempo: A Quarterly Review of New Music, No. 309 - July 2024
Transforming Practice With Digital Scores: Developments And Challenges In A Transcontinental Residency - Jaslyn Robertson
Tempo: A Quarterly Review of New Music, No. 309 - July 2024
‘Are You Still There?’ Experiencing Sonic Bothy’s Verbaaaaatim - Claire Docherty
Tempo: A Quarterly Review of New Music, No. 310 - October 2024
Gestures, Actions, And Play In Björn Heile’s 3 × 10 Musical Actions For Three Socially Distanced Performers - Edward Campbell
Tempo: A Quarterly Review of New Music, No. 310 - October 2024
Introduction: Theory And Practice Of Somatic Music - Björn Heile
Tempo: A Quarterly Review of New Music, No. 310 - October 2024
Of Embodied Musical Spaces And Their Creative Ambiguity - Martin Iddon
Tempo: A Quarterly Review of New Music, No. 310 - October 2024
‘Speaker For The Dead’: Composition As Speculative Archaeoacoustics - Alastair White
Tempo: A Quarterly Review of New Music, No. 310 - October 2024
The Music Of Proxima Centauri B: Three Singers On Planet M By Oli Jan - Björn Heile
Tempo: A Quarterly Review of New Music, No. 310 - October 2024
What Is It Like To Be A Tree? Sonic Layers, Doubleness, And Ecology In Martin Iddon’s Sapindales - Edward Campbell
Tempo: A Quarterly Review of New Music, No. 310 - October 2024
Aspects Of The Virtual And The Real: Repetition, Memory And The Integration Of Recorded Sound In My Recent Music - Bryn Harrison
Tempo: A Quarterly Review of New Music, No. 311 - January 2025
The Melancholia Of Radiguean Aesthetics - Michelle Mackenzie
Tempo: A Quarterly Review of New Music, No. 311 - January 2025
A Composer-Performer Collaboration ‘Time Capsule’ (9Th June 1995): Re-Opening A Letter From Justin Connolly - Neil Heyde
Tempo: A Quarterly Review of New Music, No. 313 - July 2025
Now Is Not The Time For Neo-Classicism: The Case For Neo-Classicism - Matthew Shlomowitz
Tempo: A Quarterly Review of New Music, No. 313 - July 2025
What Can Reading Do? On Postcritique And ‘The New Discipline - Ed Cooper
Tempo: A Quarterly Review of New Music, No. 313 - July 2025