SOURCE is the essential magazine for intelligent and independent discussion of contemporary photography. Each issue brings you the latest news, portfolios by emerging and established photographers, well researched feature articles, reviews of the most important exhibitions and books, and specialist columns offering deep analysis on various photography related subjects.
Published since 1992, Source is a quality quarterly magazine that provides readers with a critical discussion of photographic practice and an appreciation of the importance of photography in the wider culture. Your subscription will include access to over a dozen back issues of the magazine.
Photographers recently featured in Source include: Victor Burgin, Hannah Collins, Thomas Joshua Cooper, Sarah Dobai, Richard Gilligan, Emma Hart, Anthony Haughey, John Hilliard, Karen Knorr, Sirkka-Liisa Knottinen, Hew Locke, Mari Mahr, Trish Morrissey, Suzanne Mooney, Wendy McMurdo, Mark Neville, Roger Palmer, Steven Pippin, Paul Seawright, Simon Starling, John Stezaker, Jane and Louise Wilson and Donovan Wylie.
Our regular contributors include leading writers on contemporary photography such as David Campany, David Bate, David Brittain, Pavel Buchler, Stephen Bull, Justin Carville, Mark Durden, David Evans, Colin Graham, Alison Green, Roger Hargreaves, Rebecca Hopkinson, Daniel Jewesbury, Martha Langford, Anthony Luvera, Mary Warner Marien, Alicia Miller, Matt Packer, Eugenie Shinkle, Lucy Soutter, Ian Walker, Edward Welch and Judith Williamson.
The newly redesigned Source is on the theme of privacy. There is a retrospective portfolio by Gillian Wearing, Rachel Glass's work about seeking intimacy through touch (in 'cuddle parties') and a look back at the archive of Maurice Hobson who made astonishing experimental self portraits in the 1980s. We have an interview with a picture editor from a French news magazine L'Obs. France has the strictest privacy regime in Europe for photographs, what difference does it make to the pictures they publish? Laura Cunningham surveys the recent changes in law in relation to privacy and photography; will the General Data Protection Regulation stifle photographers? There are the usual extensive exhibition and book reviews along with new columns on fashion, the secondary market in photography and news. Source is the ultimate companion to contemporary photography, now even better.