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In a market swamped by the journalistic equivalent of fast food, Standpoint offers the discerning reader a feast of great writing. Its core mission is to celebrate our civilization, its arts and its values — in particular democracy, debate and freedom of speech — at a time when they are under threat.
Standpoint provides an opportunity for a fresh, truly international cast of writers to explore the timely and the timeless. It offers a guide for those perplexed by the 21st century and a running commentary for those who are happy to embrace it.
In a world of rapid change, Standpoint is an indispensable resource and companion.
INSPIRATION OR EDUCATION? Helen Dale on the perils of elite overproduction
WHY STOICISM STILL MATTERS by John Sellars
THE END OF CINEMA? by Matthew
David Collard on IAN HAMILTON AND THE POETRY WARS
EDUCATING HANDS AND HEARTS by David Goodhart
Jonathan Gaisman: MEISTERSINGER REHABILITATED
Stephen Bayley on WHY LUST TRUMPS LOVE
Stephen Booth looks at THE BREXIT CRUNCH
Fitzroy Morrissey finds A NEW REALITY FOR THE MIDDLE EAST
Calvin Robinson on WHEN BLACK LIVES MATTER MISSES THE POINT
BUYER’S REMORSE FOR FIRST-TIME TORIES by David Swift
Angela Ritch on HOME WORKING AND SOCIAL MOBILITY
AND Gillian Philip′s diary