ArtReview & ArtReview Asia
Archived since
July 2006
Modern Archive
216 issues
ArtReview is one of the world’s leading international contemporary art magazines. Founded in 1949, it is dedicated to expanding contemporary art’s audience and reach. Published nine times a year, the magazine features a mixture of criticism, reviews, previews, opinion, reportage and specially commissioned artworks, and offers one of the most established, in-depth and intimate portraits of international contemporary art in all its shapes and forms. In 2013 ArtReview was joined by its sister magazine ArtReview Asia, now published four times a year, which brings a fresh and exciting new voice to the dynamic and fast-changing art scenes of the Asia region, as well as covering Asian art presented outside of the region.
The ArtReview archive consists of all issues going back to 2006, when the title was relaunched in its present form, as well as all issues of ArtReview Asia from its first issue in 2013. Together, the two titles provide an invaluable resource for those interested in the current era of contemporary art; the ArtReview archive is an indispensable reference for all art students, art historians and other humanities researchers, as well as offering an independent and first-hand research tool for professionals working in galleries, museums and institutions.
Latest Issue:
In the April 2025 issue of ArtReview, Japanese-Sāmoan artist Yuki Kihara brings to Britain her ongoing Paradise Camp project, part of a larger practice that explores the diversity of sex and gender traits while dismantling the historical Western gaze cast on the bodies and sexuality of Indigenous peoples in the South Pacific – expect appearances by Charles Darwin. Gabrielle Goliath approaches historical traumas and their expression in contemporary violence through photography, video installations and performances that aim to create space for what the artist refers to as the lifework of mourning. Also: if the eternally popular genre of body horror serves as a barometer for society’s unspoken fears and anxieties, what is its current revival in film and art about? Plus: opinion pieces on food, fashionability, artworld legitimacy and why David Salle trained AI on a diet of his own paintings; a look at what ‘disrupt’ has come to mean in art contexts; and comprehensive exhibition and book reviews.
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